![]() ![]() It worked well, but it had to be named before it became important to the plot. The audience has no idea what they can do other than what they’ve been directly told, so if they do anything new in a crisis, it will look like a deus ex machina.įor instance, the Patronus Charm is a spell that is critical to the plot of multiple Harry Potter books. That means the stories can’t foreshadow spells prior to their explicit introduction, and when a protagonist has to face a tough problem, they can’t get out of it by inventing new spellwork. Even within one category, there’s no way to extrapolate new spells because the rules are so eclectic. Learning about one doesn’t give a better understanding of another. These three sets of rules don’t appear related to each other. It’s unclear whether there are any other self-casting old magic spells besides this one. Harry’s mother inadvertently casts a protective spell on him by dying for him. Old magics can occur without any intent. ![]() While characters can invent some potions, it appears they only do it by trial and error, not through a formula that guides what goes into a potion to create specific effects. However, you can mix pieces of magic plants and animals in a pot and get powerful effects. Wizards aren’t included in this as far as we know, you can’t just simmer a wizard in a pot for a few days and end up with a magic potion. Some plants and animals have magic inherently inside them, creating a variety of results.Students learn all of the spells by memorization, because there’s no logic underpinning how they operate. But once characters learn about the spell to disarm and the spell to block, they can’t extrapolate that there’s also a spell to dodge. Wizards cast spells by waving wands and saying incantations.In the Harry Potter universe, magic works in several different ways: To the audience it will feel like every part fits together, even if they’re not precisely sure how. What Is a Rational Magic System?Ī rational magic system is one where every spell is guided by the same metaphysical laws. Creating a rational magic system allows you to add realism and depth to your world while still leaving room for new and interesting changes. Some are carefully planned others contradict themselves and lead to plot holes. But that doesn’t mean all magic systems work equally well for stories. Magic isn’t real, so it can be anything we want. For instance, “she was breathless with anger” can be used in a sentence like, “Breathless with anger, she stood up and walked out.’ Oh, and you can probably change some of these to describe hatred or loathing.Magic systems vary from colorful bears with tummy badges to ritual blood sacrifices. The ones that contain a verb can be turned into a phrase. You can adapt them or mix them up a little, and they’ll probably make you think of more. A few of them hint at physiological reactions to the emotion of anger, and some employ similes. Obviously, this isn’t a comprehensive list. My list of ways to describe facial expressions and my list of body language and gestures can both help in showing the emotion.īut once in a while, you want to describe your point of view character’s internal feelings of anger. When you’re writing about anger, there are a lot of ways to show the emotion…through what they say, how loudly they say it, what they’re thinking, and their actions (such as aggressively loading the dishwasher.) Here’s something I can’t stress enough, though. With that in mind, here are ways to write anger descriptions in a more vivid way than “he felt angry.” Even when you’re just looking for a few words or a phrase, you can get bogged down. I know lots of writers also get stuck on how to describe frustration in writing-or annoyance, or flat-out rage. If my main character, Cassie, got angry enough, wild animals attacked whoever pissed her off, so she became very aware of how her anger feels. When I was working on The Phoenix Codex, I sometimes took way too much time thinking about ways to describe anger in writing. ![]()
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